Marina Person indica:

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Eu vou sempre nas exposições da Choque Cultural. É de graça e é legal, o que é difícil hoje em dia.
Marina Person na Folha Ilustrada em setembro 2006

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The New York Times, march 07, about Ruas de São Paulo exhibition

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BENJAMIN GENOCCHIO ‘RUAS DE SÃO PAULO: A SURVEY OF BRAZILIAN STREET ART’ Brazilian street artists, many of them school dropouts, have long covered the exposed walls and buildings of cities like Rio de Janeiro and São Paulo with their art. Though it is an illegal activity, it is rarely policed, and has flourished as a result. The first major New York gallery exhibition of Brazilian street art, at Jonathan LeVine, is a flamboyant powerhouse: the walls, floors and parts of the ceiling are decorated with a tangle of kaleidoscopic murals in tripped-out colors; rollicking spray-paint works on wood, clothing and canvas; and a surprising diversity of assemblages and sculpture made of found objects. It looks like a cross between graffiti, tattoo designs, underground comics and Pop art. (The show includes a mixed-media installation by Daniel Medeiros, known as Boleta, above.) Not only will the artists make their works from anything, they will also create them just about anywhere, as a documentar
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White Hot Magazine about Ruas de São Paulo exhibition

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by Chris Maceira RUAS DE SAO PAOLO: A SURVEY OF BRAZILIAN STREET ART Jonathan LeVine Gallery In a progressive leap, the Jonathan LeVine Gallery has bravely offered their “white cube” as a blank canvas to Boleto, Fefe, Highraff, Kboco, Onesto, Speto, Titi Freak, and Zezao, eight young street artists from Sao Paolo. The space has been divided in such a way as to provide each artist space to display their own signature style of graffiti on a variety of surfaces, including the walls and ceiling. Instead of the strict demarcation from one artist to the next, that one might expect to result from such an arrangement, what emerges is an uninterrupted flow, and the manifestation of a street vernacular that can best be described as purely Brazilian. The stylistic motifs among the group of artists are as diverse as the people of Brazil. Onesto’s emblematic cartoon-like figures could well be inspired by the graffiti of San Francisco legend, Barry McGee, who the Brazilian would know well due to
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Debate na Associação Viva Centro

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Valor e referencial de São Paulo está em sua diversidade cultural, social e étnica Essa é a principal conclusão da mesa-redonda sobre Identidade Cultural Paulistana realizada nesta quarta-feira (25/4) pela Viva o Centro. Deram sua contribuição ao debate o diretor do Istituto Europeo de Design, Marko Brajovic, o DJ e jornalista Camilo Rocha, o diretor do Programa Entrelinhas da TV Cultura, Ivan Marques, o jornalista da Folha de S. Paulo, Raul Juste Lores, e o arquiteto especialista em cultura e linguagem juvenis, Baixo Ribeiro. Também compuseram a mesa o superintendente geral da Viva o Centro, Marco Antonio Ramos de Almeida, e a coordenadora do Núcleo de Estudos da entidade, Lui Carolina Tanaka, que organizou o evento. Choque de gerações Baixo Ribeiro ressaltou a característica cosmopolita da cidade de São Paulo. “Descobri isso no contato que tive com os estrangeiros que vêm para cá.” Segundo ele, “identidade é um assunto muito complexo. São Paulo não pára de crescer, diferente de
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